| This section contains information relating to our associations'  professional annual meetings. These meetings are vital not only for the  financial health of our organizations, but they also represent great  opportunities for all of us to gain new skills, to share academic or research  interests, and to acquire continuing education hours for certification.  We continue to expand this section to include recent manufacturer  press releases and other noteworthy items of information for our JBC  subscribers and Association members. Please let us know how we may improve this  section, as well as other components of your Journal.            The JBC hopes that you will take advantage of these annual meetings and  the opportunities they offer, and we encourage you to support your professional  association. 
 Upcoming 2007 Meetings 
            
              
 The Ophthalmic Photographers' Society Annual  Meeting and the OPS New Orleans  Educational Program 38th Annual  Meeting of the OPSNovember 9-13, 2007
 
 Sheraton New Orleans Hotel
 New Orleans, Louisiana
 
 The OPS will return to the Sheraton New Orleans Hotel at 500 Canal Street  for the first time since 1998. Just blocks away from famous Bourbon Street, this location offers easy  access to countless restaurants and the nightlife for which the city is famous.
 On Friday evening, following the 3rd J. Donald M. Gass  Memorial Lecture, the OPS reception will take place in a colorful courtyard  located in the French Quarter. The OPS Awards Banquet will return to the  majestic citywide views of the Plimsol Club atop the World Trade   Center, just blocks from  the meeting hotel. The complete program information will be available at the  start of pre-registration in June, 2007. More information will be posted to  this web site as it becomes available. The Scientific Session will be held after the conclusion of  courses on Friday November 9, 2007. Abstracts may now be submitted using the  on-line abstract submission form.We  look forward to seeing you in New    Orleans! http://www.opsweb.org/Educat/Annual/index.html
 
 IMAGING USA Conference and Expo
 Professional Photographers of America (PPA)
 January 6 - 8, 2008
 Marriott Tampa Waterside Hotel & Marina700    South Florida Avenue
 Tampa, Florida
 Sheraton Tampa Riverwalk Hotel 200 North Ashley Drive
 Tampa, Florida
 
 Tampa will more than a vacation  destination this winter. In January, we’ll turn it into a photographer’s  paradise with the Imaging USA Conference and Expo.  Find everything you need right here.
 Imaging USA  is the best place for you to hear the hottest speakers, learn the newest  photographic techniques and see the latest products on the market. Join us in Tampa,   Florida in 2008!  http://www.ppa.com/i4a/pages/index.cfm?pageid=19 
 
 8th Annual  International Meeting on Simulation in HealthcareSociety for  Simulation in Health Care
 January 13 - 16,   2008San Diego, California
 The  Society for Simulation in Healthcare (SSH), was established in January 2004 to  represent the rapidly growing group of educators and researchers, who  effectively utilize a variety of simulation techniques for education, testing,  and research in health care. Our membership, now over 1,500, is united by its  desire to improve performance and reduce errors in patient care, by employing  all types of simulation including task trainers, human patient simulators,  virtual reality, and standardized patients. The  Society for Simulation in Healthcare is a broad-based, multi-disciplinary,  multi-specialty, international society with ties to all medical specialties,  nursing, allied health paramedical personnel, and industry. SSH  welcomes ties with other organizations interested in patient simulation.  Recognizing that simulation represents a paradigm shift in health care  education, SSH promotes improvements in simulation technology, educational  methods, practitioner assessment, and patient safety. The goal is to promote  better patient care and improve patient outcome. A  major venue for advancing simulation in medicine is the annual International  Meeting for Simulation in Healthcare (formerly IMMS) that has been held  successfully since 1995. Beginning in 2006 the SSH has sponsored this meeting in  its entirety. The meeting, workshops, and exhibition represent a major venue  for advancing simulation in healthcare. Won’t  you join us in January 2008 for this event? For  additional information regarding the meeting, workshops, exhibition, and  lodging, please click here. 
  Medicine Meets Virtual Reality ConferenceJanuary 30 - February 1, 2008
 
 The Hyatt Regency Long    Beach
 Long    Beach, California
 
 MMVR serves as an interdisciplinary forum for the  presentation, assessment, and development of innovative information-based tools  for use in healthcare.  Its goal is  improved precision, efficiency, and outcomes in diagnosis and therapy, medical  education and procedural training, and public health.
 
 Presentations are chosen to educate participants on:
 •   State-of-the-art  for biomedical simulation and its enabling  technologies, haptics and modeling
 •   Emerging   tools for clinical diagnosis and therapy: imaging methods, data  visualization  and fusion techniques, and  robotics
 •   Intelligence   networks for medical decision-making, patient care, and collaboration
 •   Goals, accomplishments, and challenges in  the development and application of  novel  devices and methods for medical care and education.
 CONFERENCE REGISTRATIONConference registration will open in September of 2007.  Attendees may register online or submit a registration form by mail or fax.
 For  additional information please visit:
 http://www.nextmed.com/mmvr_overview.html
 
 
 PMA 08 International Convention and Trade ShowJanuary 31 - February 2, 2008
 
 Las Vegas Convention Center - South Hall
 Las Vegas, Nevada, USA
 
 As one of the industry's leading   international conventions and trade shows, PMA 08 hosts retail entrepreneurial   memory makers from around the world, including photo retailers, professional   photographers, mass merchandisers, professional labs, custom picture framers,   and scrapbook retailers.
 
 The PMA 08 International Convention features   more than 200 sessions, encouraging the discovery of more opportunities,   professional development, and the inspiration to act on emerging   trends.
 
 Further opportunities are found at the PMA 08 Trade Show,   offering more picture-related products than any other event. PMA members help   people everywhere create, keep, display and share memories through   pictures.
 
 Deadline
 Please complete reservations for PMA   08 by December 14, 2007.
 
 For additional registration and housing   information please   visit:
 http://www.pmai.org/index.cfm/ci_id/33573.htm
 
 
 InfoComm 08Conference  Dates: June  14-20, 2008
 Exhibition  Dates: June  18-20, 2008
 Las    Vegas   Convention Center, North  and Central Halls  InfoComm is the leading business-to-business marketplace for  display, projection, audio, conferencing, lighting and staging, digital  signage, Internet streaming and networked presentation and communications  systems. Registration: Will go  live in early 2008 - get added to our mailing list at customerservice@infocomm.org The infoComm Conference will  include 250+ courses from basic through more advanced levels. These sessions  will cover audio, video, projection, digital signage, design, certification,  conferencing, AV-IT integration, and much more. The conference will also  include the Institute for Professional Development classes (June 14-16). These  are both intensive one-day sessions and 2-4 hour courses. Exhibition: June  18-20, 2008, North and Central Halls, Las Vegas Convention Center Exhibit  Space: Contact exhibitsales@infocomm.org
 Attendee  registration opens  in January.
 For  additional information, please click here. 
 
 49th International Conference on Health and Science Communications
 June 18 – 21, 2008
  
 Combined Conference Hosted by Yale  University, New Haven, CT Please  join us for the 49th Annual Conference on Health & Science Communications  in New Haven, CT in June 2008. The meeting will be held at  Yale University and the newly restored Omni  New Haven Hotel.
 This  year's meeting will focus on creativity in the wake of new technologies, and  promises to offer new tips for keeping those creative juices flowing in  state-of-the-art health and science communications. In addition to the usual  networking opportunities, there will be much to explore on the campus of one of  the nation's oldest, most prestigious universities as well as southern New England. Information  regarding meeting registration and program will be available online soon.  Please click here. Hope to  see you there! Mark SabaHeSCA Meeting Chairman
 
 
 Association of  Medical Illustrators 63rd Annual ConferenceJuly 16 - 20,  2008 - Indianapolis, Indiana
 AMI INDY 2008 Come to Indy, and Accelerate Your Career The  2008 Annual meeting in Indianapolis  will offer an diverse selection of educational sessions and social events that  you simply won't want to miss. We have planned a stellar group of speakers and  presenters for AMI-Indy, offering you a wealth of continuing education approved  art, science, and business sessions and workshops. We have planned the science  portion of the program in the areas of orthopaedics, sports medicine,  adipose-derived stem cell research, and cancer treatment. The illustration  topics will include both traditional and digital techniques, with an emphasis  on problem solving. The 2008 Techniques Showcase will also feature traditional  and computer-based illustration. Our  2008 meeting will take place at the upscale University Place Hotel and Conference Center  is located near downtown Indianapolis on the  combined campus of Indiana University - Purdue University  at Indianapolis (IUPUI). The world-class Indiana University   Medical Center  and Lilly Medical Library are within easy walking distance. Indianapolis features world-class  universities, hospitals, and thriving life science initiatives. As reported in  "Growing the Nation's Bioscience Sector: State Bioscience Initiatives  2006," Indiana  was ranked as a national leader in three of the four bioscience sectors. Indiana's roots in the biomedical device sector are deep,  and Indiana  is home to three of the five of the world's largest manufactures of artificial  hip and knee joints. Come to Indy in 2008 to see and hear what Indiana's life sciences  evolution is all about.  
 Our  host hotel on the campus of IUPUI is located just minutes away from downtown  restaurants and the downtown shopping showcase, Circle Center Mall. Our meeting  venue is near the Indianapolis Museum of Art, the Oldfields - Lilly House &  Gardens, the Eiteljorg Museum of American Indian and Western Art, the Indiana State Museum,  the IMAX Theater, the Children's Museum, the NCAA National Headquarters and  Hall of Champions, Victory Field (baseball), and the Indianapolis Symphony  Orchestra performing at the Hilbert Circle Theatre.  Of course, no trip to Indianapolis would be  complete without a visit to the Indianapolis Motor Speedway and IMS Hall of  Fame Museum located on the historic grounds of the Indianapolis Motor  Speedway. Come to Indianapolis  to discover how the city's love affair with racing all started, where  automotive racing has been, and where it's going. Come a day early, and  enjoy the sights and sounds of Indianapolis. For more information,  please watch for our Indianapolis  meeting updates at: http://www.ami.org/2007/
 Hope to  see you in Indy! Gary  Schnitz and Tom WeinzerlAMI Meeting Co-Chairmen
 
 BioCommunications  Association 79th Annual ConferenceJuly 2008 - Rochester, New    York
 BIOCOMM is the annual meeting of the  BioCommunications Associations. It is held once a year in North   America. The conference covers several days of seminars,  workshops, a juried exhibition of work, and business meetings of the  Association. Commercial representation and sponsorship provides members with  updates on new and emerging media technologies.  For more information,  please watch for meeting updates at: http://www.bca.org/annual_meeting/index.html
 
 
 SIGGRAPH  2008  |   Evolve 35th  International Conference on Computer Graphics and Interactive  Techniques
 
 August 11 - 15,  2008
 Los Angeles,   California
 SIGGRAPH 2008 is evolving along with the computer graphics and  interactive techniques community. We're dissolving the borders between  traditional SIGGRAPH programs to create a more fluid, interdisciplinary  conference. And we're offering presenters more flexible options for sharing  their work. Join us in Los Angeles in August  2008 for the highest quality, most timely educational experiences the community  has to offer, presented by the most powerful and most engaging leaders in  computer graphics and interactive techniques. For more information,  please watch for meeting updates at: http://www.siggraph.org/s2008/
   |  |  |  | Related Association News  The Illustrators'  Partnership of America 
 The Association of Medical Illustrators, in conjunction with  The Society of Illustrators, The National Cartoonists Society, The American  Society of Architectural Illustrators, and The Illustrators' Partnership of  America, continues to seek better ways to market and license the rights to  their creative work. One of the goals of this working coalition is still to  explore the possibility of collecting and pooling artists' reprographic fees in  order to create a collective rights administration to return reproduction  royalties to illustrators. 
              Since the birth of the Illustrators' Partnership of America,  the organization's key mission has been the development of a licensing agency  that would truly represent the best interests of American artists and  illustrators.  For more information about the Illustrators' Partnership of  America, visit the IPA Website at http://www.illustratorspartnership.org/  For information about protecting your copyrights: http://www.copyright.com/ http://www.ifrro.org/
 http://www.copyright.gov/
 http://www.copyright.gov/circs/circ1.html
 
 Proposed Legislation  Could Orphan Copyrights http://www.copyright.gov/orphan/orphan-report-full.pdf
 On January 23, 2006 the U.S. Copyright Office issued their  Orphan Works Report, outlining their recommendations to Congress for changes to  the 1976 Copyright Act. While we know the Copyright Office made a sincere  effort to solve the problem of copyright availability for users, we believe  these proposed changes will undermine copyright protections for artists.
 
 The report defines an "orphan work" as any work where the author is  unidentifiable or unlocatable, regardless of the age of the work. It extends to  both published and unpublished works,  and includes both U.S. and foreign works. At 127 pages, the report is too long to analyze in detail here, but you  can access it at the Copyright Office website. For those who wish to cut to the  chase, the explicit language for their proposed changes can be found on page  127.
 
 To understand the effect these changes may have, consider what the 1976 Act  currently guarantees to you. It guarantees that you have the exclusive right to authorize or withhold reproduction of your work and to create derivative works. It guarantees this  from the moment you fix the work in a tangible form, and it guarantees this  without imposing formalities such as  a copyright mark or registration. The  Berne Convention for the Protection of Literary and Artistic Works forbids such  formalities as a condition on the enjoyment and exercise of copyright. The U.S.  formally acceded to Berne in 1988.
 
 Placing Relevant Information on Your Work
 The legislation proposed by the Orphan Works Study would not officially return artists to pre-Berne  status, but for practical purposes, it would have that effect. It would not  require you to mark each picture with  a copyright notice and your name. But failure to do so on your part (or your  publishers') could be used by infringers to justify their own use of your work.  Here's the relevant part of the Copyright Office's explanation:
 
 
  "For  authors and copyright owners, marking copies of their works with identifying  information is likely the most significant step they can take to avoid the work  falling into the orphan works category. This is particularly  true for works of visual art, like photographs and illustrations, that  otherwise do not contain text or other information that a user can rely on to  help determine the identity of the copyright owner. Nothing in the Office's recommendation would make such markings  mandatory . . . Nevertheless, the  presence and quality of the information on particular copies will be a highly  relevant fact as to whether a reasonable search will find the copyright  owner."  (p. 9, emphasis added)   In other words, the  "information" that has been placed on your work will be a  "highly relevant fact" in determining - for legal purposes -  whether a user has made a "reasonable search" to find you before he  or she uses your work. But since the report doesn't set objective standards for  what constitutes a "reasonable search," it paves the way for endless  ambiguity. What do you do if a user infringes your work after what he regards  as a reasonable effort to find you? What if someone simply uses your work on  the grounds that you may not find out about it, and if you do, justifies his  actions by citing the "fact" that your work lacked "relevant  information?" 
 No Penalties For Infringing Orphan Work
 Those who have demanded this legislation have argued that users should not be subject to penalties for  infringing orphan work. They say that the public should be encouraged to use  this work and that penalties would discourage use. The Copyright Office has  agreed:
 
  "Our  recommendation follows this suggestion by limiting the possible monetary relief  in these cases to only 'reasonable compensation' which is intended to represent  the amount the user would have paid to the owner had they engaged in  negotiations before the infringing use commenced." (p. 12)  In other words, if someone infringes your work  because they couldn't find you - and you come forward to claim authorship -  this system would only require the infringer to pay you the fee they presume  you would have "negotiated." Yet if someone has already published  your work - and faces no risk for statutory damages, attorneys‚ fees and court  costs, they'll be in a better position than you to dictate what constitutes a  "reasonable" fee. And unless you can work with the fee they offer,  you'll have no choice but to take the issue to court, knowing that the cost of  litigation could well exceed whatever "reasonable compensation" the  courts might determine. 
 By considering and rejecting remedies for infringement, the Copyright Office  acknowledged the complaints by creators‚ groups that individual authors  generally lack the resources to police unauthorized usage:
 
  "While corporate  copyright owners were generally in favor of a reasonable compensation approach,  individual authors like photographers, illustrators and graphic artists noted  that under current conditions, obtaining a lawyer to even file an infringement  case is prohibitively expensive, so much so that only where statutory damages  are available is it possible to file a case. If compensation were limited to  only a reasonable royalty, they fear that it will likewise be practically  impossible even to recover that compensation given the cost of  litigation." ( p. 117)  But while the Report  expresses "sympathy" for this fact of life, it states that  "[t]his problem . . . has existed for some time and goes beyond the orphan  works situation, extending to all types of infringement of the works of  individual authors . . . It is not,  however, within the province of this study on orphan works." (p.114,  emphasis added) 
 Yet if the problem is not within the province of the Orphan Works Study, we must introduce it into the  coming debate over legislation.  Otherwise, a law that exposes vast quantities of copyrighted work to potential  abuse could make the existing bad situation worse, making payment for usage the  option of last resort for any user who chooses to exploit this glaring  loophole.
 
 Are Registries a Solution?
 The Orphan Works Report notes that many respondents to the Study proposed  "registries or other databases of owner or user information" as a  possible solution of tracking rights holders.  A publicly available visual  artists registry would match unidentified art to an artist and/or the artist's  contact information. But creating a registry requires technology and staff  unavailable to independent artists. Other countries protect their artists'  exclusive rights through the administration of collecting societies. The Orphan Works Report states that  "such administrative mechanisms might ultimately be of great assistance in  helping put owners and users of orphan works together" (p. 95), but says  the Copyright Office lacks the resources to create and administer them:
 
  "[W]e believe  that registries are critically important, if  not indispensable, to addressing the orphan works problem, as we explain  above. It is our view that such registries are better developed in the private  sector, and organically become part of the reasonable search by users by  creating incentives for authors and owners to ensure that their information is  included in the relevant databases."   (p.106, emphasis added)  But if Congress can’t allocate funds to create  the kind of registry that Orphan Works legislation would make  "indispensable," Congress should not impose that burden on rights  holders as a condition of maintaining their copyrights.  Especially since  the effect of these changes would be retroactive,  that is, affecting work created over the last 28 years, during which time  artists did work with the expectation that it would be protected - whether  marked and registered or not, for their lifetime plus 50 (now 70) years.
 Specific Exemptions as a Solution
 We believe most artists would agree with the Copyright Office that an  orphan works problem exists.  Any of us who have ever wanted to duplicate  old family photos will understand how troublesome (even futile) it can be to  try tracking down a long-lost photographer or other potential rights-holder.  But if Congress concludes that legislation is necessary to solve problems like  this, we urge them to craft specific, limited exemptions instead of sweeping  legislation that shifts the burden of diligence from users to copyright holders.
 
 A limited exemption could be crafted to solve family photo restoration and  reproduction issues without otherwise gutting photographers' copyrights. Usage  for genealogy research is probably already covered by fair use, but could be  specifically exempted if necessary. Limited exemptions could be designed for  documentary filmmakers as well. Libraries and archives already have generous  exemptions for their not-for-profit missions, but if their missions are  changing to include for-profit ventures, they should abide by commercial standards  for the usage of copyrighted material.
 
 The Next Step
 In conducting this study, the Copyright Office identified as the primary  goal of Orphan Works legislation: "to make it more likely that a user can  find the relevant owner in the first instance, and negotiate a voluntary  agreement over permission and payment, if appropriate, for the intended use of  the work." (p. 8) Yet we're afraid that this system as proposed will do  little to "bring users and authors together." In fact, it could well  force authors into the "marketplace" of the courts to attempt  recovery of compensation after their work has been used and their copyrights  compromised.
 
 Last spring nearly 2,000 individual artists and 42 organizations joined us in  opposing Orphan Works legislation. We thank all of you for your responses to  our submission to the Study. Since then, we've had several opportunities to  express our opposition directly to the Copyright Office. We participated in the  government‚s two-day Orphan Works roundtables last July 26 and 27, and at their  invitation, we met individually with Copyright Office attorneys on November 17.  Now we'll need to rally again to see that the proposals in this study are not  enacted into law. This will require a practical strategy and a concerted effort.  We'll keep you informed as this develops, and we'll let you know how you can  help.
 
 Brad Holland and Cynthia Turner
 for the Board of the Illustrators' Partnership of America
 http://www.illustratorspartnership.org/  
 The  Vesalius Trust  About The Vesalius TrustThe Vesalius Trust for Visual Communication  in the Health Sciences was incorporated as a nonprofit public foundation in  1988. Established under the direction of the Board of Governors of the  Association of Medical Illustrators, the Trust strives to develop and support  education and research programs in the field of health science communications. History of the TrustSince its founding in 1988, the Trust has  endeavored to identify and secure funding for educational and research  activities in visual communications in the health sciences, and to act as a  conduit for these resources. Currently, the Trust supports: scholarships,  research grants, continuing professional education, and an international  recognition program for exceptional contributions to medical education.
 The Frank  H. Netter, M.D. Award and Vesalius Trust Awards of Excellence recognize and  honor significant contributions to the field of health science communications. Mission of the TrustTo provide leadership for the advancement of  education and research in visual communications for the health sciences.
 Vision StatementTo be known as the premier resource for  funding of visual communications in the health sciences.
 Our Commitment Our commitment to support visual  communications in the health sciences is broad. During the past year, the Trust  has endeavored to form alliances with related groups and associations within  the field of biocommunication. The Trust not only supports scholarship and research  in the profession of medical illustration, but also includes and supports the  areas of biomedical and scientific photography, biomedical visualization,  anatomical animation, life science and zoological illustration, microbiological  and molecular visualization, video production, and biomedical research.
 Contributions We welcome financial contributions of any  size from individuals or corporations interested in the Trust's mission. Those  individuals interested in making a tax deductible contribution to the Vesalius  Trust are encouraged to visit the Trust's website below.
 E-mail  inquiries regarding the Vesalius Trust are also encouraged at: Vesaliustrust@aol.com Please  visit The Vesalius Trust's web site for additional information:http://www.vesaliustrust.org
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